This schedule represents CDM courses only. To find courses taught elsewhere at DePaul, please visit the
DePaul Schedule of Classes. Can't find CDM the course you're looking for? For all courses ever taught at CDM, please visit
MyCDM. Several CDM courses count towards liberal studies credit, for a list of such courses visit the
CDM Liberal Studies courses page .
Computer, Information and Network Security
Film and Television Creative Producing
Cyber-Physical Systems Engineering
Digital Media Arts
Film and Television Documentary
Film and Television Production
Computer Graphics and Motion Technology
Human Centered Design
Health Information Technology
Institute for Professional Development
This is a hybrid course that meets online and on-campus.
Interactive and Social Media
Liberal Studies Program
Film and Television Post-Production
Study Abroad Program
Film and Television Screenwriting
Film and Television Visual Effects
Contiuing use of the Adobe Premiere Pro editing sofware, this course builds on the basic editing skills acquired in Editing I with longer projects in a wider variety of motion content genres. These include documentary, longer multi-scene dialog projects, montage and action sequences. Multi-camera, special effects, sound effects and color are also areas of concentration.
Students are invited to do more complex found footage projects or self-produced projects for the final project..A deomonstration of the AVID Media Composer (used in Editng III) will be introduced duing the final weeks of the course.
POST 328/428 Scoring for Film and Video
Autumn 2019. Wednesdays from 5:45-9 in CDM 922. Email firstname.lastname@example.org for questions.
Students are introduced to elements of music and ways in which these elements may be used to create a musical style that enhances the visual statement. Course emphasizes understanding the function of the score and how it relates to texture, color, and drama in music. Students explore their creativity using the tools available, work on projects of increasing complexity, and complete a score for their own film or video as a final project.
The class is designed for all student abilities and experiences. It's great for editors that want to know how scores work to directors who need to learn how to talk to composers to screenwriters who need to imagine how music functions in their scripts.
This course is only taught in Autumn and Winter.
DOC 396/496: Topics in Documentary: Filming with Social Change Agents
This practicum class works with community partners and non-profit organizations in Chicago to create films with a strong call to action.
Students build professional relationships with clients, create proposals, outlines, and budgets. Regular meetings establish and manage expectations. Production adheres to regular deadlines and completed films focus on social issues that advance the work being done by various non-profits.
For more information, email Susanne Suffredin at email@example.com.
In the class you'll develop your editing chops by working on more advanced narrative, commercial, and documentary projects. We will also discuss demo reels, how to market yourself, developing your own website, and networking in general.
More advanced editing techniques like color correction, typographic design, and After Effects integration with Premiere will also be explored.
POST 200 - Editing II (Formerly DC 320) runs this fall on Thursdays from 5:45pm to 9pm.
This is a required course for many so sign up soon. Other sections of the class are already full so expect the class to fill. Email Brian Mellen at firstname.lastname@example.org if you have more questions.
Sign up for the very first Industrial Design course ever to run at DePaul University! Be a part of history, and learn about alternative design philosophies.
ID 101, Metaphysics of Objects, introduces the theory of the perception of objects, and how objects perceive each other, through the lens of object oriented ontology. Through lectures and projects, students will create objects and evaluate the influences of tools, materials, and thought on the development of things. Students will learn how to choose the appropriate tools and materials for specific design contexts, and be introduced to the theories behind speculative realism and object oriented ontology.
The course runs Tuesday and Thursday, 1:30p.m.-3:00p.m.